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Out beyond the shore of the Western Sea, a great abbey towers above the waves. Its six colossal spires, armoured in stone walls impervious to the buffeting winds and pelting rains, rise up as if to taunt the gods to which they were once consecrated. The relentless fury of the storms which lately assail the abbey suggests such impertinence has not gone unnoticed. Given those same gods were murdered two years ago, an inquisitive traveller to this once holy site might wonder whose outrage now summons the tempest? The tiny islet upon which the abbey was built centuries ago is tethered to the mainland by a half-mile-long causeway barely wide enough for two carts to pass each other without one being shoved off the slippery cobbles and into the sea.
By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy. To browse Academia. Even though the items on display may have been meant for decoration or intimidation, they were above all designed to kill. Paradoxically, these exhibits at the same time belong to the most powerful instrument of creation on Earth as they are works of art.
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